Symposium 2 Feedback for Peers

Assessment, UNIT 2


  • speech was too fast to follow
  • visually very engaging, with a strong body of research
  • is the large scale print necessary? I feel that the wooden jigsaw piece is stronger as it encourages audience participation- it invites them to explore the landscapes in a similar way to how she has
  • the shapes and manipulation of the found imagery echoes how mankind has shaped and manipulated the landscapes around it


  • painting as a living entity, “painting making”, with each painting having its own agency
  • video echoes the idea of cycles and life, and organic matter growing
  • it would have been nice to see some of her research, and an idea of what she is putting into the final show- one painting? Multiple? Screens? A combination of painting and animations?


  • the video is beautifully made, but the text was at times hard to read- although perhaps this was the intention?
  • the video shows a great deal of consideration, but I would have liked to have seen your research
  • I really enjoy the aspect of your work that is immersive, interactive and has to be experienced- it opens up art to a wider audience which is something I am passionate about


  • making sense of loss through documentation
  • a strong body of photography, film and painting
  • the idea of voyeurism and photography is well considered, and I can feel that you care about being sensitive and not exploitative
  • I can see how your photography skills have developed through the selection of images, and use of colour and composition
  • depicts a universal feeling and a strong sense of empathy, viewers will bring their own narrative and emotion to the work
  • I am interested to see what prints you choose to put in the show!


  • clearly explained journey, with a strong feeling of direction
  • I really love the concept of ideas–>practice–>ideas
  • parameters can often feel restricting, but for you the boundaries you set yourself helped you to create a rich body of work- clearly you know yourself and your practice well, and this shows


  • the video is beautiful, although for me the music is a little distracting- it feels like a strange motivational video
  • community building through art, building narratives through curation and making challenge is curating your work well in the show- you have a lot of work!


  • silhouettes, shadows, lack of faces- allowing viewers to insert their own narratives, challenging stereotypes and the idea of identity
  • pushing the pieces further and exploring other media/editing
  • I really enjoyed seeing your research!


  • sight and sound as complimentary forces
  • the bias in art toward visual over sound and where it came from
  • a strong body of practical and traditional research that compliment each other well, with a lot of technical skill
  • I am very keen on the use of old analogue tech, as it works aesthetically and through the sounds they add (static, ect)
  • very excited to experience the work you put in the show


  • making emotion physical- becoming data, physical reactions v.s. emotional reactions
  • a really diverse range of experimentation exploring emotions as a concept and how we express them (or not) or repress them

Lyu Wen

  • pushing the boundaries of performance art, with a huge amount of work, varying from serious to silly
  • sense of time and space, in art and in real life- a very strong theme with a lot of research
  • I think you’re really brave to put yourself out in public for your performances


  • the idea of a digital pleasurescape
  • digital memorials and digital death, data footprints left behind
  • embrace the questions and uncertainty- these should not be feared, as there are many things we may never know the answers to
  • fascinating research and striking imagery
  • The key is how you are going to present your work- screens, prints, installation, ect


  • mixed media- photography, text, digital editing, and drawing
  • how different kinds of photographic manipulation change the viewers perceptions
  • the use of your work as a kind of journal is very interesting- I would like to see more!
  • the digital illustrations are colourful and engaging
  • keep testing out and experimenting with layering- take test shots and play around with the layout until you get an arrangement you like


  • amazing that you have tried so many pieces of software and have such a good grasp of them so fast
  • I love your character videos, very humorous and fun to watch
  • rather than sticking images to fake iPhones- can you actually show the works digitally on the screens? I get that trickery is desired
  • I would love to see you come as one of your characters on open night!


  • connection to the physical act of making- printmaking, painting, photography, and drawing
  • empty buildings whilst there are people living in tents, a sense of isolation and emptiness- the photographs work really well as stand alone pieces of work, not just as studies for the paintings/drawings
  • are you going to put the photographs in the show, or paintings? both?


  • very hard to hear what you are saying the video
  • how will you differentiate between your own work and others in the magazine? If that is the plan?
  • more like a look book as opposed to a magazine? Adds texture and depth- it becomes more of a 3D object than just a magazine
  • how will you present the book? Is it going to become an installation, or will the magazine sit on a shelf/plinth?


  • the act of preserving becomes more important than what is preserved
  • choice of mediums and access
  • diverse range of research and critical thinking
  • can’t wait to see what you install in the show!


  • Ai in art and the creation of art
  • AI generated work shown on the screens
  • lots of problem solving and collaborations to complete the work which is very fascinating
  • Jonathan could photograph and measure the bed/chair in the Quiet Room at uni and potentially borrow it? Then he would just need the cushions and headset need to be brought to London


  • I went to the bathroom and missed your presentation šŸ˜¦
  • but your solo exhibition looked really cool and your digital skills have come really far over the past two years!

22/11/2018 Online Group Tutorial

Tutorials, Weekly Summaries

Not feeling too well today, so I have joined the online tutorial group rather than going to class this morning.


  • discussing the Yayoi Kusama exhibition and sharing photos
  • the relationship to Kusama’s paintings and Janet’s work- both paint flat, so the works have no “right way” up, but Janet said:
    it reveals itself in dialogue as it goes and tells its story back to me
    so I begin to understand it as such which corresponds to a particular orientation decided on in my final phase
    I re orientateĀ to stay objective in the process, keep a fresh eye
    my eyes and mind easily become complacent so I keep sending myself off centre – all a remaking
  • Paola– she feels she has been spending a lot of time developing her 3D skills, but needs to spend more time experimenting to find her own style. She is currently making a visual response to a sound piece made by her friend.
    – the sound piece reminds me of a lab, or the inside of a spaceship lost in space- I can hear what sounds like static, fluids pouring and bubbling, an ambient background sound, and other noises I am finding hard to decipher, a definite sci fi vibe
    – the test pieces she has made on Blender are very abstract and beautiful, I much prefer the abstract imagery to the imagery that represents water/liquids being poured/splashed as the abstract images are less obvious, and are so fluid it is hard to believe they have been created digitally
    – inspired by the work of Nate Boyce
    – IĀ like how layered and abstract some of the examples she has shown are, it suits the sound well, and whilst I appreciate what the others are saying about making imagery that opposes the sound, I think the imagery she has shown so far works well with it and I would personally stick to that
    – originally Paola was making an ocean on Blender, as that is what the sound inspired her to make, but she felt it was too obvious and decided to move away from that
  • Robin– I can definitely hear a repeated rhythm, it seems to change slightly, but follows the same pattern, it sounds like stones in a rolling can to me, or coins in a washing machine
    – the second piece sounds very similar but has less of a rhythm to my ears, the animation seems to match up with the sound well, and still manages to be abstract, despite it seemingly representing the sounds visually
    – I would be careful that this is what you are going for- do you want viewers to associate the sounds and their production with the visuals you have made?
    – Jonathan asked if how the sounds are made is important- I said IĀ don’t think so, but the visuals make me focus on that, because I assume that the visuals are showing me what is making the sounds
    – it feels quite purposeful to me due to the repetition
    – I hope you continue exploring the relationship between the visuals and sound elements- I would be interested to experience further experiments- it seems like you have a lot of ideas to play with!
  • Anfal– using your paintings as a form of journaling, combining Arabic script with bold colours and imagery, very striking
    – the imagery would look beautiful translated onto textiles- it reminds me of the bold African patterns on fabrics, like you would see in Peckham
    – you could try the method where you paint onto paper and then heat transfer it onto fabric- LCF at Shepherds Bush has these facilities
    – alternatively screen-printing could be a good method to use- you can layer imagery really easily
    – “Kat your suggestion of screen printing is a good idea and adds a forced layering beyond the digital that can always feel like it can be undone” – Jonathan