‘Hybrid.’ was our first exhibition on the course, and it opened on Friday 1st December for one week at the Two Girls Cafe in Peckham, consisting of work from both first and second year of MA Fine Art Digital.
I worked very hard to get my work finished for the exhibition- it took a lot of testing to get the moulds exactly the way I wanted them, and there were still small things I couldn’t fix. For example, most of the plastic bottle is still trapped inside the mould, as the heat compressed it too much and although I tried to cut the bottle out of the mould I was only partly successful- this was something I had to live with as it was not visible from the side on display and any further cutting would have damaged the piece beyond repair. As it was both the brick and wood casts had a few small tears in the plastic, but I positioned the pieces on the wall so that they were not visible, and as the wall was white I think the tears went unnoticed. Plastic can be a very unforgiving medium, so overall I am pleased with how my moulds turned out- the rope mould in particular captured a lot of detail and was visually very pleasing. Also regarding the presentation I did not use a tape measure or a spirit level, which would have made my pieces look much more professional, so these are two pieces of equipment I plan on investing in for future exhibitions, to avoid my work looking amateurish. Due to the nature of how the hot plastic warped and bent it was very difficult to cut the pieces neatly and to the same size- I used the laser cutter, but also had to use a ruler and scalpel to cut some of the parts that were too curved. As a result each piece was a slightly different size and shape, as it was impossible to get them perfect which was frustrating, but something I had to live with. The pieces did for the most part sit well against the wall once nailed in place though, which I was pleased about.
I definitely need to be more involved with the class moving forwards, as I did not have much input into the exhibition, beyond my own work, and I feel I let myself and the class down because of this. I hope to rectify this coming back for term 2 in January by being more proactive, and attending as many lectures and tutorials as I am able, so that I can fully engage with my peers and the topics we cover.
I think the work I put into Hybrid is the very definition of work in progress- it represents a turning point in my thinking, and is indicative of the struggles I have experienced in the last few months- it was not perfect or as polished as I would have liked, but I am very proud of myself for persevering and finishing the pieces in time for the exhibition. Going forwards I definitely want to try recreating more of my found objects in other mediums, such as ceramics, plaster, metal, and resin, to explore how the objects change and take on a new medium in other media and colours. I originally planned this project to be purely focused on making and processes, but seeing my work on the wall of the gallery space made me question why I chose the colour white, and why it is so overused in the art world. This has led me to a new topic for research- How and why is white used in the art world, and does it link to the inherent classism and racism that dominates the art world?